Friday, May 08, 2009

September 17, 2008 - Taipei Main Station with its grand looking interior. I should've aimed a little more up. Whenever I look up there, I think what a waste of space, they could've done something with that. Taipei Main Station is a hub that includes regular trains, the transfer station of the two major MRT lines, and the High Speed Rail. On the second floor, where I'm standing, is a mega foodcourt that goes all around this space. Just across the street to the north, they are putting the finishing touches on a centralized bus depot, which I assume will house all the long-haul tour bus companies in one place. It will also be a shopping center, multiplex, office space, and luxury residences.

September 24, 2008 - Kaohsiung MRT Formosa Boulevard Station. Not exactly the equivalent of Taipei Main Station, but as close as Kaohsiung can get to it. Kaohsiung's main train station is just a train station, even though there is a KMRT station attached to it now. It's an old, dingy, no nonsense, get-people-to-their-trains station. But Formosa Boulevard Station is the transfer station for the two lines of the KMRT, and so it's the dolled up, flagship, pride-of-the-KMRT station.

I'm in Kaohsiung now, and I passed right by this impressive public art piece called "Dome of Light" this morning. I took the overnight bus after I got off of work, arriving after 5:30 in the morning.

I'm here because today is the first day of eligibility to apply for getting my Taiwanese citizen ID card, after more than a year of waiting and unable to leave the country.

I had to apply for my ID card back then, and now I had to apply to get it. Go fig. They say I'll get it in 2 weeks, at which point I have to apply for a Taiwanese passport (despite the fact that I already have one), which will take another week. So I've already booked a flight to go to the U.S. in June for 3 weeks.

That's going to put things at work in a real mess, but I've been stuck here since January 2008, and the newspaper gave me the serious shaft for about six months, and even though that was under my old boss, who retired, I'm still holding it against the paper in that I'm not going to go any extra miles for them, and I have no loyalty to them; although I will continue to do the best job I can, just because that's my work ethic, I think, and support the new boss and his changes (one of which included bringing me back full-time, but on my terms, which is 4 days a week), and make the position I'm in as professional as possible - which it hasn't been.

Anyway, we need to hire new people for the position, and the situation in June is turning out to make it absolutely urgent to get trainees in very, very soon, or it will really suck for someone. Not me. I'll be eating the best pizza and lasagna in the world.


sophie said...

hi there!
I just discovered your blog and I'm surprised by the quality of your pictures! How do you get such amazing colours? what film do you use?

keauxgeigh said...

Thanks, I just use regular film. I know there are a lot of purists who don't like using digital manipulation software, but my feeling is that when you're working with photos in a darkroom, you're manipulating the results.

That said, I allow for whatever can be done in a darkroom by myself - so I can control contrast, brightness and saturation. For me, that saturation is where the fun is :)

I think I even read somewhere that early lomos often came back from photofinishers wildly saturated, making people think it had something to do with the camera, but maybe it was the photofinisher thinking what horrible negatives they were and oversaturated the prints to give them some life.